Image 1 of 1
Image 1 of 1
Image 1 of 1
Image 1 of 1
Canyon X, mid-morning, flat on my back on the canyon floor looking straight up. The camera saw more than my eye did: over a thirty-second exposure, light bouncing between the walls accumulated into the violets that sit against the fired orange above. Standing there, it read mostly as warm rock and shadow.
Canyon X is a slot on Navajo land near Page, Arizona — quieter than its famous neighbours, and narrow enough that light reaches the floor only for a short window each day. What the sandstone records is time: cross-bedded dunes laid down some 190 million years ago, then cut by flash floods into these fluted, wave-like walls. The long exposure is doing something similar on a shorter scale — collecting light the eye can't hold.
ChromaLuxe Metal — Dye-sublimation is unusually good on saturated colour, and the oranges here come off the aluminium with an intensity close to what the long exposure recorded. White Glossy is the high-gloss white base that amplifies colour, and the most popular choice for vibrancy; White Semi-Glossy gives a soft shine with rich colour; White Matte holds colour vivid with minimal glare.
Also available in: Standard Acrylic version · TruLife Acrylic version · Gallery Metal version · Fine Art Paper version
Made to order · Allow 2–3 weeks for production and delivery · Shipping charged at cost, never marked up · Shipping & Returns
The watermark shown here protects the online image only. Your print arrives clean.
Canyon X, mid-morning, flat on my back on the canyon floor looking straight up. The camera saw more than my eye did: over a thirty-second exposure, light bouncing between the walls accumulated into the violets that sit against the fired orange above. Standing there, it read mostly as warm rock and shadow.
Canyon X is a slot on Navajo land near Page, Arizona — quieter than its famous neighbours, and narrow enough that light reaches the floor only for a short window each day. What the sandstone records is time: cross-bedded dunes laid down some 190 million years ago, then cut by flash floods into these fluted, wave-like walls. The long exposure is doing something similar on a shorter scale — collecting light the eye can't hold.
ChromaLuxe Metal — Dye-sublimation is unusually good on saturated colour, and the oranges here come off the aluminium with an intensity close to what the long exposure recorded. White Glossy is the high-gloss white base that amplifies colour, and the most popular choice for vibrancy; White Semi-Glossy gives a soft shine with rich colour; White Matte holds colour vivid with minimal glare.
Also available in: Standard Acrylic version · TruLife Acrylic version · Gallery Metal version · Fine Art Paper version
Made to order · Allow 2–3 weeks for production and delivery · Shipping charged at cost, never marked up · Shipping & Returns
The watermark shown here protects the online image only. Your print arrives clean.