Image 1 of 1
Image 1 of 1
Image 1 of 1
Image 1 of 1
Snow on the boulders of the Merced, with El Capitan on the left and Cathedral Rocks standing over the far end of the valley — Yosemite on a winter morning after a storm had cleared. Overnight the snow had grown a coat of feathered crystals: surface hoar, which forms only on cold, still, humid nights and lasts until the first wind or direct sun finds it. I worked low and close to the water to keep that texture in the near frame.
Valley View puts two very different clocks in a single frame. The granite is roughly 100 million years old, cooled miles underground and later lifted and stripped bare; glaciers grinding through the valley in the ice ages squared off its sides and left El Capitan's face standing about 3,000 feet (900 m) above the river. The crystals in the foreground took one night to build and were gone by afternoon.
A note on presentation: black-and-white landscape has traditionally lived on a matte surface, where tone and texture do the work. TruLife is glossy only, so this is the contemporary reading — dimensional and luminous — with the anti-reflective coating removing the glare that usually argues against gloss. A different object from a matte print, not a lesser one.
TruLife Acrylic — The fullest version of this image: full acrylic depth with a museum-grade anti-reflective surface, so the shadowed granite and the dark trees stay open and the valley keeps its scale. Beyond the anti-reflective surface it carries superior UV protection and scratch resistance, the most durable of the acrylic options as well as the fullest.
Also available in: Standard Acrylic version · ChromaLuxe Metal version · Gallery Metal version · Fine Art Paper version
Made to order · Allow 3–5 weeks for production and delivery · Shipping charged at cost, never marked up · Shipping & Returns
The watermark shown here protects the online image only. Your print arrives clean.
Snow on the boulders of the Merced, with El Capitan on the left and Cathedral Rocks standing over the far end of the valley — Yosemite on a winter morning after a storm had cleared. Overnight the snow had grown a coat of feathered crystals: surface hoar, which forms only on cold, still, humid nights and lasts until the first wind or direct sun finds it. I worked low and close to the water to keep that texture in the near frame.
Valley View puts two very different clocks in a single frame. The granite is roughly 100 million years old, cooled miles underground and later lifted and stripped bare; glaciers grinding through the valley in the ice ages squared off its sides and left El Capitan's face standing about 3,000 feet (900 m) above the river. The crystals in the foreground took one night to build and were gone by afternoon.
A note on presentation: black-and-white landscape has traditionally lived on a matte surface, where tone and texture do the work. TruLife is glossy only, so this is the contemporary reading — dimensional and luminous — with the anti-reflective coating removing the glare that usually argues against gloss. A different object from a matte print, not a lesser one.
TruLife Acrylic — The fullest version of this image: full acrylic depth with a museum-grade anti-reflective surface, so the shadowed granite and the dark trees stay open and the valley keeps its scale. Beyond the anti-reflective surface it carries superior UV protection and scratch resistance, the most durable of the acrylic options as well as the fullest.
Also available in: Standard Acrylic version · ChromaLuxe Metal version · Gallery Metal version · Fine Art Paper version
Made to order · Allow 3–5 weeks for production and delivery · Shipping charged at cost, never marked up · Shipping & Returns
The watermark shown here protects the online image only. Your print arrives clean.