Image 1 of 1
Image 1 of 1
Image 1 of 1
Image 1 of 1
Blue hour in Joshua Tree, after the sun has gone but before the sky has given up its light. A long exposure holds the last of it — a low stand of cholla filling the foreground, its dense spines reading almost white against the dark ground, the monzogranite piles of the high desert behind, and a meteor cutting a thin line across the sky above.
In black and white the image resolves into texture: the granular weathered rock, the fine bristling detail of the cholla, the smooth graduated sky. Joshua Tree's boulders are the eroded remains of magma that cooled underground some 100 million years ago, exposed and rounded over time — and at this hour, with the light flat and directionless, their form reads more clearly than under sun.
A note on presentation: black-and-white landscape has traditionally lived on a matte surface, where tone and texture do the work. On a glossy surface the same image becomes something else — dimensional, luminous, contemporary. Both surfaces are available here; they are different objects rather than better and worse.
Gallery Metal — The next generation of the metal print: printed with Canon LUCIA PRO pigment inks and bonded to a rigid aluminium panel beneath a protective laminate, resolving finer detail and holding colour longer than dye-sublimation can. The modern process for images that reward close viewing. Here that holds two textures at once: the granular weathering on the monzogranite and the fine individual spines of the cholla. Glossy adds a hard coat for scratch resistance along with the fuller colour and depth; matte is anti-glare and holds sharp detail without softening it. Both are UV-protected for long-term display.
Also available in: Standard Acrylic version · TruLife Acrylic version · ChromaLuxe Metal version · Fine Art Paper version
Made to order · Allow 2–3 weeks for production and delivery · Shipping charged at cost, never marked up · Shipping & Returns
The watermark shown here protects the online image only. Your print arrives clean.
Blue hour in Joshua Tree, after the sun has gone but before the sky has given up its light. A long exposure holds the last of it — a low stand of cholla filling the foreground, its dense spines reading almost white against the dark ground, the monzogranite piles of the high desert behind, and a meteor cutting a thin line across the sky above.
In black and white the image resolves into texture: the granular weathered rock, the fine bristling detail of the cholla, the smooth graduated sky. Joshua Tree's boulders are the eroded remains of magma that cooled underground some 100 million years ago, exposed and rounded over time — and at this hour, with the light flat and directionless, their form reads more clearly than under sun.
A note on presentation: black-and-white landscape has traditionally lived on a matte surface, where tone and texture do the work. On a glossy surface the same image becomes something else — dimensional, luminous, contemporary. Both surfaces are available here; they are different objects rather than better and worse.
Gallery Metal — The next generation of the metal print: printed with Canon LUCIA PRO pigment inks and bonded to a rigid aluminium panel beneath a protective laminate, resolving finer detail and holding colour longer than dye-sublimation can. The modern process for images that reward close viewing. Here that holds two textures at once: the granular weathering on the monzogranite and the fine individual spines of the cholla. Glossy adds a hard coat for scratch resistance along with the fuller colour and depth; matte is anti-glare and holds sharp detail without softening it. Both are UV-protected for long-term display.
Also available in: Standard Acrylic version · TruLife Acrylic version · ChromaLuxe Metal version · Fine Art Paper version
Made to order · Allow 2–3 weeks for production and delivery · Shipping charged at cost, never marked up · Shipping & Returns
The watermark shown here protects the online image only. Your print arrives clean.