Image 1 of 1
Image 1 of 1
Image 1 of 1
Image 1 of 1
Blue hour in Joshua Tree, after the sun has gone but before the sky has given up its light. A long exposure holds the last of it — a low stand of cholla filling the foreground, its dense spines reading almost white against the dark ground, the monzogranite piles of the high desert behind, and a meteor cutting a thin line across the sky above.
In black and white the image resolves into texture: the granular weathered rock, the fine bristling detail of the cholla, the smooth graduated sky. Joshua Tree's boulders are the eroded remains of magma that cooled underground some 100 million years ago, exposed and rounded over time — and at this hour, with the light flat and directionless, their form reads more clearly than under sun.
A note on presentation: black-and-white landscape has traditionally lived on paper, where tone and texture carry the image rather than surface reflectance. This is that tradition; the three papers differ in how much texture and sheen they bring to it.
Fine Art Paper — Canson Arches BFK Rives White is the traditional choice, its velvety surface giving the rock tactile weight and the sky the softness of a darkroom print. Canson Platine Fibre Rag offers a smoother lustre with deeper blacks; Moab Silver Metallic takes the image the other way entirely, heightening contrast and lending the cholla spines a pearlescent shimmer. Prints are trimmed borderless at the stated size. 8x12 inches and smaller ship flat; larger sizes ship rolled, and are supplied unframed.
Every fine art paper print carries a 1-inch white border for handling and framing, added outside the image dimensions shown. The exception is the largest size in each aspect ratio, where the paper is already at its maximum width: those are printed borderless, edge to edge at the size shown.
Also available in: Standard Acrylic version · TruLife Acrylic version · ChromaLuxe Metal version · Gallery Metal version
Made to order · Allow 1–2 weeks for production and delivery · Shipping charged at cost, never marked up · Shipping & Returns
The watermark shown here protects the online image only. Your print arrives clean.
Blue hour in Joshua Tree, after the sun has gone but before the sky has given up its light. A long exposure holds the last of it — a low stand of cholla filling the foreground, its dense spines reading almost white against the dark ground, the monzogranite piles of the high desert behind, and a meteor cutting a thin line across the sky above.
In black and white the image resolves into texture: the granular weathered rock, the fine bristling detail of the cholla, the smooth graduated sky. Joshua Tree's boulders are the eroded remains of magma that cooled underground some 100 million years ago, exposed and rounded over time — and at this hour, with the light flat and directionless, their form reads more clearly than under sun.
A note on presentation: black-and-white landscape has traditionally lived on paper, where tone and texture carry the image rather than surface reflectance. This is that tradition; the three papers differ in how much texture and sheen they bring to it.
Fine Art Paper — Canson Arches BFK Rives White is the traditional choice, its velvety surface giving the rock tactile weight and the sky the softness of a darkroom print. Canson Platine Fibre Rag offers a smoother lustre with deeper blacks; Moab Silver Metallic takes the image the other way entirely, heightening contrast and lending the cholla spines a pearlescent shimmer. Prints are trimmed borderless at the stated size. 8x12 inches and smaller ship flat; larger sizes ship rolled, and are supplied unframed.
Every fine art paper print carries a 1-inch white border for handling and framing, added outside the image dimensions shown. The exception is the largest size in each aspect ratio, where the paper is already at its maximum width: those are printed borderless, edge to edge at the size shown.
Also available in: Standard Acrylic version · TruLife Acrylic version · ChromaLuxe Metal version · Gallery Metal version
Made to order · Allow 1–2 weeks for production and delivery · Shipping charged at cost, never marked up · Shipping & Returns
The watermark shown here protects the online image only. Your print arrives clean.