Image 1 of 1
Image 1 of 1
Image 1 of 1
Image 1 of 1
Late afternoon in The Narrows, where the North Fork of the Virgin River has cut a slot through Zion's sandstone over millions of years, leaving walls that rise a thousand feet and more. At this hour the sun no longer reaches the canyon floor; the light here is reflected — bounced off the sunlit rim above and thrown back down the walls, which is what gives the stone its inner glow.
Reaching this stretch means wading upriver, camera and tripod through moving water, with no dry route in. The long exposure smooths the current into a dark ribbon at the base, setting the river's motion against the stillness of rock that has stood for millennia.
Gallery Metal — The next generation of the metal print: printed with Canon LUCIA PRO pigment inks and bonded to a rigid aluminium panel beneath a protective laminate, resolving finer detail and holding colour longer than dye-sublimation can. The modern process for images that reward close viewing. Here that holds the fine striation in the canyon wall at size, and the rigid panel gives a tall vertical image a clean architectural presence. Glossy adds a hard coat for scratch resistance along with the fuller colour and depth; matte is anti-glare and holds sharp detail without softening it. Both are UV-protected for long-term display.
Also available in: Standard Acrylic version · TruLife Acrylic version · ChromaLuxe Metal version · Fine Art Paper version
Made to order · Allow 2–3 weeks for production and delivery · Shipping charged at cost, never marked up · Shipping & Returns
The watermark shown here protects the online image only. Your print arrives clean.
Late afternoon in The Narrows, where the North Fork of the Virgin River has cut a slot through Zion's sandstone over millions of years, leaving walls that rise a thousand feet and more. At this hour the sun no longer reaches the canyon floor; the light here is reflected — bounced off the sunlit rim above and thrown back down the walls, which is what gives the stone its inner glow.
Reaching this stretch means wading upriver, camera and tripod through moving water, with no dry route in. The long exposure smooths the current into a dark ribbon at the base, setting the river's motion against the stillness of rock that has stood for millennia.
Gallery Metal — The next generation of the metal print: printed with Canon LUCIA PRO pigment inks and bonded to a rigid aluminium panel beneath a protective laminate, resolving finer detail and holding colour longer than dye-sublimation can. The modern process for images that reward close viewing. Here that holds the fine striation in the canyon wall at size, and the rigid panel gives a tall vertical image a clean architectural presence. Glossy adds a hard coat for scratch resistance along with the fuller colour and depth; matte is anti-glare and holds sharp detail without softening it. Both are UV-protected for long-term display.
Also available in: Standard Acrylic version · TruLife Acrylic version · ChromaLuxe Metal version · Fine Art Paper version
Made to order · Allow 2–3 weeks for production and delivery · Shipping charged at cost, never marked up · Shipping & Returns
The watermark shown here protects the online image only. Your print arrives clean.