Image 1 of 1
Image 1 of 1
Image 1 of 1
Image 1 of 1
Half Dome from Glacier Point, six frames stitched into one panorama. I came up for the sky as much as the granite — high cirrus was raking across in long streaks, and in black and white that becomes the whole top half of the frame. Below it the Merced drops over Nevada Fall, buckbrush was in full bloom across the foreground, and the High Sierra crest held the horizon. The colour version never worked; monochrome let the cloud, the dome and the falling water carry it.
Half Dome is granodiorite, and shape is its striking feature. The common belief is that a glacier sheared the dome in half — but the ice never overtopped it, and geologists reckon only about a fifth of the original rock is actually missing. What you’re seeing was built by two slower processes. The rounded back is exfoliation: as the granite that once buried this rock was stripped away, the release of pressure let the dome shed curved sheets like the layers of an onion. The sheer face is fracture: the rock split along a set of near-vertical joints, and rockfall carried the missing portion away piece by piece. To the right the Merced drops over Nevada Fall, one step of the Giant Staircase the river takes down from the high country, and beyond it the Sierra crest closes the horizon. Stripped of colour, the scene resolves into structure — cloud, granite and falling water.
A note on presentation: black-and-white landscape has traditionally lived on paper, where tone and texture carry the image rather than surface reflectance. This is that tradition; the three papers differ in how much texture and sheen they bring to it.
Fine Art Paper — Canson Platine Fibre Rag is the natural choice for a monochrome landscape at this width, its smooth lustre giving deep blacks in the canyon and a clean rendering of the cloud. Canson Arches BFK Rives White offers a softer, more painterly matte; Moab Silver Metallic heightens contrast and lends the falling water and the brightest cloud a pearlescent sheen. Prints are trimmed borderless at the stated size. 8x12 inches and smaller ship flat; larger sizes ship rolled, and are supplied unframed.
Every fine art paper print carries a 1-inch white border for handling and framing, added outside the image dimensions shown. The exception is the largest size in each aspect ratio, where the paper is already at its maximum width: those are printed borderless, edge to edge at the size shown.
Also available in: Standard Acrylic version · TruLife Acrylic version · ChromaLuxe Metal version · Gallery Metal version
Made to order · Allow 1–2 weeks for production and delivery · Shipping charged at cost, never marked up · Shipping & Returns
The watermark shown here protects the online image only. Your print arrives clean.
Half Dome from Glacier Point, six frames stitched into one panorama. I came up for the sky as much as the granite — high cirrus was raking across in long streaks, and in black and white that becomes the whole top half of the frame. Below it the Merced drops over Nevada Fall, buckbrush was in full bloom across the foreground, and the High Sierra crest held the horizon. The colour version never worked; monochrome let the cloud, the dome and the falling water carry it.
Half Dome is granodiorite, and shape is its striking feature. The common belief is that a glacier sheared the dome in half — but the ice never overtopped it, and geologists reckon only about a fifth of the original rock is actually missing. What you’re seeing was built by two slower processes. The rounded back is exfoliation: as the granite that once buried this rock was stripped away, the release of pressure let the dome shed curved sheets like the layers of an onion. The sheer face is fracture: the rock split along a set of near-vertical joints, and rockfall carried the missing portion away piece by piece. To the right the Merced drops over Nevada Fall, one step of the Giant Staircase the river takes down from the high country, and beyond it the Sierra crest closes the horizon. Stripped of colour, the scene resolves into structure — cloud, granite and falling water.
A note on presentation: black-and-white landscape has traditionally lived on paper, where tone and texture carry the image rather than surface reflectance. This is that tradition; the three papers differ in how much texture and sheen they bring to it.
Fine Art Paper — Canson Platine Fibre Rag is the natural choice for a monochrome landscape at this width, its smooth lustre giving deep blacks in the canyon and a clean rendering of the cloud. Canson Arches BFK Rives White offers a softer, more painterly matte; Moab Silver Metallic heightens contrast and lends the falling water and the brightest cloud a pearlescent sheen. Prints are trimmed borderless at the stated size. 8x12 inches and smaller ship flat; larger sizes ship rolled, and are supplied unframed.
Every fine art paper print carries a 1-inch white border for handling and framing, added outside the image dimensions shown. The exception is the largest size in each aspect ratio, where the paper is already at its maximum width: those are printed borderless, edge to edge at the size shown.
Also available in: Standard Acrylic version · TruLife Acrylic version · ChromaLuxe Metal version · Gallery Metal version
Made to order · Allow 1–2 weeks for production and delivery · Shipping charged at cost, never marked up · Shipping & Returns
The watermark shown here protects the online image only. Your print arrives clean.