Image 1 of 1
Image 1 of 1
Image 1 of 1
Image 1 of 1
High on the Srinagar–Leh highway above Sonamarg, a dirt track cutting across the slope opposite. Trucks still ply this road. Made at 48mm — enough to lift this one section clear of its surroundings and let the slope fill the picture edge to edge.
The slope is dark rock broken down into loose debris, shedding downhill in pale fans of scree. Water accounts for most of what you see: the green and gold bands follow the gullies and benches where fine sediment has collected and meltwater still runs, gold where the grass has cured and green where it hasn't. Nothing here holds enough soil for more than low alpine grass and scrub. The road ignores all of it, holding a single grade across the fall lines.
Gallery Metal — The next generation of the metal print: printed with Canon LUCIA PRO pigment inks and bonded to a rigid aluminium panel beneath a protective laminate, resolving finer detail and holding colour longer than dye-sublimation can. The modern process for images that reward close viewing. Here that lets the image work at two distances: abstraction from across a room, and up close the cut edge of the road, the grain of the scree, individual bushes on the far ridge. Glossy adds a hard coat for scratch resistance along with the fuller colour and depth; matte is anti-glare and holds sharp detail without softening it. Both are UV-protected for long-term display.
Also available in: Standard Acrylic version · TruLife Acrylic version · ChromaLuxe Metal version · Fine Art Paper version
Made to order · Allow 2–3 weeks for production and delivery · Shipping charged at cost, never marked up · Shipping & Returns
The watermark shown here protects the online image only. Your print arrives clean.
High on the Srinagar–Leh highway above Sonamarg, a dirt track cutting across the slope opposite. Trucks still ply this road. Made at 48mm — enough to lift this one section clear of its surroundings and let the slope fill the picture edge to edge.
The slope is dark rock broken down into loose debris, shedding downhill in pale fans of scree. Water accounts for most of what you see: the green and gold bands follow the gullies and benches where fine sediment has collected and meltwater still runs, gold where the grass has cured and green where it hasn't. Nothing here holds enough soil for more than low alpine grass and scrub. The road ignores all of it, holding a single grade across the fall lines.
Gallery Metal — The next generation of the metal print: printed with Canon LUCIA PRO pigment inks and bonded to a rigid aluminium panel beneath a protective laminate, resolving finer detail and holding colour longer than dye-sublimation can. The modern process for images that reward close viewing. Here that lets the image work at two distances: abstraction from across a room, and up close the cut edge of the road, the grain of the scree, individual bushes on the far ridge. Glossy adds a hard coat for scratch resistance along with the fuller colour and depth; matte is anti-glare and holds sharp detail without softening it. Both are UV-protected for long-term display.
Also available in: Standard Acrylic version · TruLife Acrylic version · ChromaLuxe Metal version · Fine Art Paper version
Made to order · Allow 2–3 weeks for production and delivery · Shipping charged at cost, never marked up · Shipping & Returns
The watermark shown here protects the online image only. Your print arrives clean.