Mono Lake at sunset, from among the tufa on the south shore. Two towers hold the edges of the frame, and between them the lake opens out — mid-lake formations catching the last of the light, then the far shore, then the low hills of the Mono Basin beyond. A long exposure has smoothed what little movement there was into something closer to glass.
The tufa formed underwater. Freshwater springs rich in calcium rise through a lake loaded with carbonates, and where the two meet the reaction precipitates limestone — building slowly upward around each spring. What stands above the surface is only exposed because the lake dropped: Los Angeles began diverting Mono's tributary streams in 1941, and the level fell some 45 feet before the diversions were curtailed. These towers spent centuries submerged. They are, in a real sense, a record of water that is no longer there.
TruLife Acrylic — The premium option, and the fullest version of this image: full glossy-acrylic depth with a museum-grade anti-reflective surface. The still water holds its calm and the sky its gradient, in any light. Beyond the anti-reflective surface it carries superior UV protection and scratch resistance, the most durable of the acrylic options as well as the fullest.
Also available in: Standard Acrylic version · ChromaLuxe Metal version · Gallery Metal version · Fine Art Paper version
Made to order · Allow 3–5 weeks for production and delivery · Shipping charged at cost, never marked up · Shipping & Returns
The watermark shown here protects the online image only. Your print arrives clean.
Mono Lake at sunset, from among the tufa on the south shore. Two towers hold the edges of the frame, and between them the lake opens out — mid-lake formations catching the last of the light, then the far shore, then the low hills of the Mono Basin beyond. A long exposure has smoothed what little movement there was into something closer to glass.
The tufa formed underwater. Freshwater springs rich in calcium rise through a lake loaded with carbonates, and where the two meet the reaction precipitates limestone — building slowly upward around each spring. What stands above the surface is only exposed because the lake dropped: Los Angeles began diverting Mono's tributary streams in 1941, and the level fell some 45 feet before the diversions were curtailed. These towers spent centuries submerged. They are, in a real sense, a record of water that is no longer there.
TruLife Acrylic — The premium option, and the fullest version of this image: full glossy-acrylic depth with a museum-grade anti-reflective surface. The still water holds its calm and the sky its gradient, in any light. Beyond the anti-reflective surface it carries superior UV protection and scratch resistance, the most durable of the acrylic options as well as the fullest.
Also available in: Standard Acrylic version · ChromaLuxe Metal version · Gallery Metal version · Fine Art Paper version
Made to order · Allow 3–5 weeks for production and delivery · Shipping charged at cost, never marked up · Shipping & Returns
The watermark shown here protects the online image only. Your print arrives clean.