Image 1 of 1
Image 1 of 1
Image 1 of 1
Image 1 of 1
Made along the Srinagar–Leh highway from a moving car at 25 mph (40 km/h). There was no shoulder to pull onto and army trucks behind us, so there was no stopping — the picture is what the window offered as the valley opened up, taken in the second or two it stayed composed.
The road runs high here, above the treeline, and the landscape has already begun turning from Kashmir's green toward Ladakh's dry mineral colour. The slopes shade from ochre through olive to grey-brown — thin soil over old rock, holding grass in the folds where meltwater runs and nothing at all where it doesn't. The stream is glacier-fed, milky with rock flour ground fine by ice upstream. Cumulus builds over the ridgelines, throwing patches of shadow that separate one slope from the next, and the light shifts fast enough that the same view a few minutes later would not have been the same picture.
Gallery Metal — The next generation of the metal print: printed with Canon LUCIA PRO pigment inks and bonded to a rigid aluminium panel beneath a protective laminate, resolving finer detail and holding colour longer than dye-sublimation can. The modern process for images that reward close viewing. Here that keeps the scree and grass detail on the far slopes legible, which is where the depth of this frame lives. Glossy adds a hard coat for scratch resistance along with the fuller colour and depth; matte is anti-glare and holds sharp detail without softening it. Both are UV-protected for long-term display.
Also available in: Standard Acrylic version · TruLife Acrylic version · ChromaLuxe Metal version · Fine Art Paper version
Made to order · Allow 2–3 weeks for production and delivery · Shipping charged at cost, never marked up · Shipping & Returns
The watermark shown here protects the online image only. Your print arrives clean.
Made along the Srinagar–Leh highway from a moving car at 25 mph (40 km/h). There was no shoulder to pull onto and army trucks behind us, so there was no stopping — the picture is what the window offered as the valley opened up, taken in the second or two it stayed composed.
The road runs high here, above the treeline, and the landscape has already begun turning from Kashmir's green toward Ladakh's dry mineral colour. The slopes shade from ochre through olive to grey-brown — thin soil over old rock, holding grass in the folds where meltwater runs and nothing at all where it doesn't. The stream is glacier-fed, milky with rock flour ground fine by ice upstream. Cumulus builds over the ridgelines, throwing patches of shadow that separate one slope from the next, and the light shifts fast enough that the same view a few minutes later would not have been the same picture.
Gallery Metal — The next generation of the metal print: printed with Canon LUCIA PRO pigment inks and bonded to a rigid aluminium panel beneath a protective laminate, resolving finer detail and holding colour longer than dye-sublimation can. The modern process for images that reward close viewing. Here that keeps the scree and grass detail on the far slopes legible, which is where the depth of this frame lives. Glossy adds a hard coat for scratch resistance along with the fuller colour and depth; matte is anti-glare and holds sharp detail without softening it. Both are UV-protected for long-term display.
Also available in: Standard Acrylic version · TruLife Acrylic version · ChromaLuxe Metal version · Fine Art Paper version
Made to order · Allow 2–3 weeks for production and delivery · Shipping charged at cost, never marked up · Shipping & Returns
The watermark shown here protects the online image only. Your print arrives clean.