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Image 1 of 1
Image 1 of 1
Image 1 of 1
Lower Calf Creek Falls drops 126 feet down a wall of Navajo sandstone in Grand Staircase–Escalante, Utah, reached by a six-mile round trip along the creek bed through sand and slickrock.
The wall itself is the reason to make the picture. Those vertical black and umber streaks are desert varnish: manganese and iron oxides deposited over thousands of years by water and microbial action, running down the rock like ink. By late morning the sun has climbed high enough to reach into the canyon, lighting the sandstone gold behind them, and where the spray carries, moss holds on in vivid green. A long exposure smooths the falling water into a single white column against all that texture — motion against permanence, in a frame built almost entirely of verticals.
ChromaLuxe Metal — Dye-sublimation gives the falling water genuine luminosity against the wall, and holds the gold of the sunlit sandstone alongside the green of the moss without either dulling. White Glossy is the high-gloss white base that amplifies colour, and the most popular choice for vibrancy; White Semi-Glossy gives a soft shine with rich colour; White Matte holds colour vivid with minimal glare.
Also available in: Standard Acrylic version · TruLife Acrylic version · Gallery Metal version · Fine Art Paper version
Made to order · Allow 2–3 weeks for production and delivery · Shipping charged at cost, never marked up · Shipping & Returns
The watermark shown here protects the online image only. Your print arrives clean.
Lower Calf Creek Falls drops 126 feet down a wall of Navajo sandstone in Grand Staircase–Escalante, Utah, reached by a six-mile round trip along the creek bed through sand and slickrock.
The wall itself is the reason to make the picture. Those vertical black and umber streaks are desert varnish: manganese and iron oxides deposited over thousands of years by water and microbial action, running down the rock like ink. By late morning the sun has climbed high enough to reach into the canyon, lighting the sandstone gold behind them, and where the spray carries, moss holds on in vivid green. A long exposure smooths the falling water into a single white column against all that texture — motion against permanence, in a frame built almost entirely of verticals.
ChromaLuxe Metal — Dye-sublimation gives the falling water genuine luminosity against the wall, and holds the gold of the sunlit sandstone alongside the green of the moss without either dulling. White Glossy is the high-gloss white base that amplifies colour, and the most popular choice for vibrancy; White Semi-Glossy gives a soft shine with rich colour; White Matte holds colour vivid with minimal glare.
Also available in: Standard Acrylic version · TruLife Acrylic version · Gallery Metal version · Fine Art Paper version
Made to order · Allow 2–3 weeks for production and delivery · Shipping charged at cost, never marked up · Shipping & Returns
The watermark shown here protects the online image only. Your print arrives clean.