A shaft of light filters down through the sculpted sandstone walls of Antelope Canyon, catching dust thrown up by guides and the footfall of visitors moving through the slot. For a few seconds, the light shaped that dust into a ghostly white figure standing on the canyon floor — a phantom that formed, held, and was gone. Captured in 2011, on Navajo land near Page, Arizona.
Antelope Canyon is photographed by thousands of people every year. The beams are a matter of season and hour; this apparition lasted only moments. The image is built on contrast — cool violet shadow against the canyon's fired orange, and at its centre a column of pure white light.
Gallery Metal — The next generation of the metal print: printed with Canon LUCIA PRO pigment inks and bonded to a rigid aluminium panel beneath a protective laminate, resolving finer detail and holding colour longer than dye-sublimation can. The modern process for images that reward close viewing. Here that holds the sculpted sandstone grain and the airborne dust as separate textures, with the beam keeping its edge against both. Glossy adds a hard coat for scratch resistance along with the fuller colour and depth; matte is anti-glare and holds sharp detail without softening it. Both are UV-protected for long-term display.
Also available in: Standard Acrylic version · TruLife Acrylic version · ChromaLuxe Metal version · Fine Art Paper version
Made to order · Allow 2–3 weeks for production and delivery · Shipping charged at cost, never marked up · Shipping & Returns
The watermark shown here protects the online image only. Your print arrives clean.
A shaft of light filters down through the sculpted sandstone walls of Antelope Canyon, catching dust thrown up by guides and the footfall of visitors moving through the slot. For a few seconds, the light shaped that dust into a ghostly white figure standing on the canyon floor — a phantom that formed, held, and was gone. Captured in 2011, on Navajo land near Page, Arizona.
Antelope Canyon is photographed by thousands of people every year. The beams are a matter of season and hour; this apparition lasted only moments. The image is built on contrast — cool violet shadow against the canyon's fired orange, and at its centre a column of pure white light.
Gallery Metal — The next generation of the metal print: printed with Canon LUCIA PRO pigment inks and bonded to a rigid aluminium panel beneath a protective laminate, resolving finer detail and holding colour longer than dye-sublimation can. The modern process for images that reward close viewing. Here that holds the sculpted sandstone grain and the airborne dust as separate textures, with the beam keeping its edge against both. Glossy adds a hard coat for scratch resistance along with the fuller colour and depth; matte is anti-glare and holds sharp detail without softening it. Both are UV-protected for long-term display.
Also available in: Standard Acrylic version · TruLife Acrylic version · ChromaLuxe Metal version · Fine Art Paper version
Made to order · Allow 2–3 weeks for production and delivery · Shipping charged at cost, never marked up · Shipping & Returns
The watermark shown here protects the online image only. Your print arrives clean.